Meet An Chen: Vintage Vibes Meet Modern Graphic Design
YourStuffMade Community Feature · Taiwanese Illustrator Based in London
Step into the visual universe of An Chen, a Taiwanese illustrator based in London whose work combines the nostalgia of mid-century design with the clarity and energy of contemporary graphic illustration.
Drawing inspiration from 1950s and 1960s matchbox designs, typography and bold graphic shapes, An creates vector illustrations that feel both refreshingly retro and distinctly modern. Her work transforms simple forms into lively visual stories filled with colour, rhythm and texture.

What Creative Medium Does An Chen Use?
An combines vector illustration in Adobe Illustrator with monoprint-inspired textures developed in Photoshop. This process allows her to build clean, confident forms and then soften them with grain, handmade irregularities and vintage character.
Handmade masks and custom brushes help her digital artwork retain a tactile quality. The result is a balance between precision and imperfection that gives each piece warmth, movement and visual depth.
Vector Illustration
Adobe Illustrator gives An the control to create strong silhouettes, angular shapes and adaptable artwork for editorial and commercial projects.
Monoprint Textures
Grainy textures introduce the handmade character of printmaking into otherwise clean and polished digital compositions.
Handmade Masks
Physical and digital masks help create imperfect edges, layered forms and a visual quality inspired by traditional production methods.
Vintage-Inspired Brushes
Custom brushes add tonal variation and help An reference the worn surfaces of old matchboxes, posters and printed ephemera.

How Would An Chen Describe Her Art Style?
An’s style uses clean, angular forms to reinterpret organic subjects. Her illustrations are graphic and controlled, yet the colour, texture and movement keep them feeling lively and spontaneous.
Mid-century matchbox art, British modernist linocuts and typography all influence her visual language. Bracket serifs, italic forms and letter-like curves often appear inside her compositions, even when the artwork contains no text.
Modern Retro
Mid-century references are reworked through a contemporary approach to composition, colour and visual storytelling.
Geometric and Organic
Angular shapes and simplified curves give natural subjects a bold, graphic structure.
Colourful and Energetic
Dynamic palettes create impact, while tonal textures prevent the work from feeling overly polished or flat.
Typographically Aware
Letterforms influence the rhythm, angle and proportions of her shapes, giving each composition a strong graphic identity.

What Products and Professional Projects Does An Chen Create?
An works across editorial illustration, commercial commissions and self-initiated projects. Her strong visual language adapts well to publications, campaigns, packaging, books and merchandise.
Alongside client work, she develops personal projects that allow her to explore nature, typography, storytelling and print-inspired production methods in greater depth.
Editorial Illustration
Concept-driven artwork for publications and organisations, including projects associated with The Wall Street Journal, The Boston Globe, Apple, Gucci and Harvard Business Review.
Self-Published Zines
Independent publications give An space to explore sequences, themes and visual narratives beyond a single image.
Pop-Up Books
Dimensional paper projects combine illustration, structure and movement to create more immersive storytelling experiences.
Still-Life Series
Personal collections inspired by plants, objects, shape and typography allow her to refine new visual ideas.

How An Chen’s Creative Journey Began
An originally trained and worked in graphic design, building a strong foundation in composition, typography and visual communication.
After earning her MA in Children’s Book Illustration from Cambridge School of Art in 2019, she transitioned more fully into illustration. The decision was driven by the joy she found in playing with shapes and exploring how images could carry narrative.
Early projects, including exhibition maps, helped her experience a new kind of creative flow. Rather than arranging information alone, she began using design principles to build atmosphere, personality and story.
This combination of design discipline and illustrative freedom became the foundation of her practice. Today, An’s work continues to move between commercial clarity and playful visual experimentation.

Achievements and Industry Recognition
An’s illustration work has received recognition from respected illustration and design organisations, reflecting the strength of her ideas, technique and distinctive visual style.
World Illustration Awards
An’s work was shortlisted for the World Illustration Awards in 2022.
Society of Illustrators
Her work has been featured through platforms connected with the Society of Illustrators.
American Illustration
Recognition from American Illustration has helped place her work within a wider international creative community.
Communication Arts
Her illustration has also received attention through Communication Arts and related industry showcases.
Creative Quarterly
Creative Quarterly is among the platforms that have recognised her contribution to contemporary illustration.
International Client Work
Working with established editorial and commercial clients has expanded the reach and application of her distinctive style.
Letting Go of Perfection and Building Creative Momentum
One of An’s most important lessons was recognising that waiting for perfection could prevent her from moving forward.
Instead of treating every piece as something that must be flawless before it can be shared, she began embracing iteration. Creating, reviewing and revising allowed her style to develop more naturally.
Her background in graphic design still gives every project structure and thoughtful decision-making, but she now leaves more space for accidents, texture and unexpected results.
Creative momentum often begins when you stop waiting for perfection and allow the work to evolve through making.
What Makes An Chen’s Work Connect with People?
An’s illustrations feel familiar and new at the same time. Viewers may recognise the visual language of old packaging, matchboxes or printed posters, but the compositions remain contemporary and unmistakably her own.
- Clear graphic shapes: bold silhouettes allow the central idea to communicate quickly and confidently.
- Tactile texture: grain and print-like imperfections make digital artwork feel warmer and more human.
- Historical references: mid-century design influences create nostalgia without simply copying the past.
- Strong colour relationships: energetic palettes give each composition rhythm, contrast and visual impact.
- Thoughtful simplicity: An reduces subjects to essential forms while preserving character, movement and meaning.
What Is Next for An Chen?
An plans to expand her visual practice into new formats while continuing to explore the relationship between vintage references and modern storytelling.
- Develop textile patterns based on her geometric shapes and energetic colour palettes.
- Explore merchandise and packaging illustration for creative brands.
- Continue working on children’s books and immersive narrative projects.
- Create more self-published zines, pop-up books and experimental print work.
- Merge Eastern visual traditions with contemporary graphic storytelling.
- Keep developing a style that balances precision, texture and playful imperfection.
An Chen’s Advice for Other Artists and Makers
“Don’t wait for perfection—share your work already. Connect, submit, reach out. Every step leads to growth.”
- Share before everything feels perfect: finished work becomes more useful when people can see it, respond to it and remember it.
- Submit your work: awards, publications and open calls can create visibility and unexpected professional opportunities.
- Reach out directly: thoughtful introductions can lead to commissions, representation, collaborations and creative friendships.
- Use iteration as a tool: each project teaches you something that can improve the next one.
- Keep making connections: creative growth often comes from participating in the wider illustration community rather than working in isolation.
Turning Modern Retro Illustration into Artist Merchandise
An’s bold vectors, textured shapes and mid-century influences are especially well suited to products with strong surfaces and clear silhouettes.
Artists working in a similar style can translate their designs into enamel pins, patches, textile patterns, packaging, prints and paper goods while preserving the graphic clarity that makes the artwork effective.
Connect with An Chen
Follow An for new editorial commissions, personal projects, visual experiments and behind-the-scenes insights into her creative process.
An Chen is a Taiwanese illustrator based in London and is represented by Grand Matter Agency in London and New York.
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